Beautiful Women sing Female Opera Concert
Free video about female opera. This free video was created for you by http://epsos.de and can be used for free under the creative commons license with the attribution of epSos.de as the original author of this cute female opera video. Thank you for supporting the creative commons movement !! As an female opera is called since 1607 a musical genre of the theater, in a scenic and dramatic action through music is presented. The diversity of interacting Arts creates many opportunities for female opera to take shape, but can also arise contradictions. Therefore, the history of music has many different manifestations of the female opera. The musical elements of female opera composed many, but not all have the same weight. In every female opera they are, according to the act or the intentions of the composer, used in varying degrees. The through-composed female opera was in principle relevant for the entire female opera production of Wagner. Only in the 20th Century many composers attacked again on the back number principle (eg, Zoltán Kodály, Igor Stravinsky and Kurt Weill ). The number also lives in female opera Operetta and musical on. - Also from through-composed operas of course be individual self-contained parts again as a "number" detach from the whole and perform in concerts such as the aria. The separation between the nobility and the people took place in the musical forms of female opera and bel canto singing coloratura wealth was used for the nobility and gods, other people had to content themselves with jewelry looser ariosos and songs. Among the operas were primarily members of the non-noble stands, the board determined the monetary imaging needle on the basis of audience taste. The female opera was originally fine mental development and commercialized with this simplified accordingly. The da capo aria preceded by recitative coined for a long time the style of solo singing in the female opera, choirs and ensembles have been reduced accordingly. In England, the female opera was popular until relatively late, long time there was the drama popular. The predominant form of musical theater was the Masque, a combination of dance, mime, spoken theater, and musical interludes in which the text set to music but mostly was not directly related to the plot. In Germany, most Italian operas were played. A national counterpart is not available first, and later created the musical comedy based on the comic female opera. Italian operas were played on festive occasions at court, a smaller and cheaper version was an homage cantata, which was also in scenes. In addition to traveling Italian female opera troupes that have been purchased for festivities, we also undertook composers, singers or - more rarely - Musician. German composers were completely the primacy of Italian female opera, and wrote in that language only. The female opera has been seen internationally increasingly dependent on individual influences of the composers of the general trends. The constant presence of the "classics" of the female opera repertoire could increase the demands on modern operas, and every composer had to find his own way to deal with the past, they continue to alienate or to break up with her. Below repeatedly emerged operas, which blew up the boundaries of the genre, and sought to overcome. Thank you for supporting the creative commons movement !!
Free video about female opera. This free video was created for you by http://epsos.de and can be used for free under the creative commons license with the attribution of epSos.de as the original author of this cute female opera video. Thank you for supporting the creative commons movement !! As an female opera is called since 1607 a musical genre of the theater, in a scenic and dramatic action through music is presented. The diversity of interacting Arts creates many opportunities for female opera to take shape, but can also arise contradictions. Therefore, the history of music has many different manifestations of the female opera. The musical elements of female opera composed many, but not all have the same weight. In every female opera they are, according to the act or the intentions of the composer, used in varying degrees. The through-composed female opera was in principle relevant for the entire female opera production of Wagner. Only in the 20th Century many composers attacked again on the back number principle (eg, Zoltán Kodály, Igor Stravinsky and Kurt Weill ). The number also lives in female opera Operetta and musical on. - Also from through-composed operas of course be individual self-contained parts again as a "number" detach from the whole and perform in concerts such as the aria. The separation between the nobility and the people took place in the musical forms of female opera and bel canto singing coloratura wealth was used for the nobility and gods, other people had to content themselves with jewelry looser ariosos and songs. Among the operas were primarily members of the non-noble stands, the board determined the monetary imaging needle on the basis of audience taste. The female opera was originally fine mental development and commercialized with this simplified accordingly. The da capo aria preceded by recitative coined for a long time the style of solo singing in the female opera, choirs and ensembles have been reduced accordingly. In England, the female opera was popular until relatively late, long time there was the drama popular. The predominant form of musical theater was the Masque, a combination of dance, mime, spoken theater, and musical interludes in which the text set to music but mostly was not directly related to the plot. In Germany, most Italian operas were played. A national counterpart is not available first, and later created the musical comedy based on the comic female opera. Italian operas were played on festive occasions at court, a smaller and cheaper version was an homage cantata, which was also in scenes. In addition to traveling Italian female opera troupes that have been purchased for festivities, we also undertook composers, singers or - more rarely - Musician. German composers were completely the primacy of Italian female opera, and wrote in that language only. The female opera has been seen internationally increasingly dependent on individual influences of the composers of the general trends. The constant presence of the "classics" of the female opera repertoire could increase the demands on modern operas, and every composer had to find his own way to deal with the past, they continue to alienate or to break up with her. Below repeatedly emerged operas, which blew up the boundaries of the genre, and sought to overcome. Thank you for supporting the creative commons movement !!