New Hollywood Cinema First Class!.. Nietzsche's Forbidden Lectures C'est la vie !..Modern ART Film
Igor Bajenov's avant-garde film _Projekt Analyse Nietzsche's Forbidden Lectures C'est la vie !_New Modern ART Film in HD Ultra 4K format_Igor Bajenov's avant-garde film _Projekt Analyse Nietzsche's Forbidden Lectures C'est la vie !_New Modern ART Film in HD Ultra 4K format_Igor Bajenov's avant-garde film _Projekt Analyse Nietzsche's Forbidden Lectures C'est la vie !_New Modern ART Film in HD Ultra 4K format_The film C'est la vie! by Igor Bajenov is an avant-garde theatrical production that explores how modern desires for love and happiness are shaped by external forces. The central concept juxtaposes two powerful influences: the secret, destructive philosophy of Friedrich Nietzsche, which deconstructs traditional self-identity, and the pervasive pop-culture phantom of Madonna, who embodies prefabricated fantasies of desire. Visually, the film uses a non-realistic, collage-style set—featuring a two-tiered architecture and a black-and-white palette with pastels—to represent the subconscious mind. The narrative is non-linear, presented as a series of vignettes where characters' romantic pursuits are revealed to be scripts written by philosophy and pop culture. The climax involves the characters realizing they must destroy these internalized "phantoms" to discover genuine love and selfhood. Ultimately, the film is a critical inquiry into whether we can find authentic love when our perceptions are constructed by these powerful cultural and intellectual forces....New Hollywood Cinema First Class!...Projekt Analyse Nietzsche's Forbidden Lectures C'est la vie !.......A film expert analysis of the main monologue with two people: ...Pop diva Madonna and Nietzsche sitting next to her, just listening... (The stage is dark. A single, glaring spotlight comes on, illuminating the stern-looking Friedrich Nietzsche on a minimalist cube. A second, pink spotlight shines on Madonna.) Madonna: Friedrich. You have that "God is dead, and my tie is too tight" look. You're thinking, "That's the concern of the flock. A spice, not a meal." Nietzsche: (Softly) It's the concern of the flock. Madonna: Exactly. You philosophers order the concept of love. A five-course meal of abstraction. We women are in the kitchen cooking it up, and believe me, the recipe changes hourly. (She pushes herself off the piano.) Madonna: You call it childish. We call it a collage. Picasso was right. You take the newspaper (that's yesterday's argument), a piece of wallpaper (that's a daydream from 1992), a small train ticket (the memory of a touch), and glue them all together to create my face today. Today it's me. It's not a remix. NIETZSCHE: (After a long pause, quietly) This… fluctuation. This… tyranny of emotion. MADONNA: (She stops in front of him, dropping the theatricality.) Weakness? Friedrich, keeping this show going requires more willpower than you'll ever need for your Übermensch. You build a system. I built a stage set. And I have to rebuild it every time the emotional mood changes. You can proclaim: "What doesn't kill me makes me stronger." I have to live with what doesn't kill me, turn it into a costume change, choreograph a new number for it, and sell out the damn theater. MADONNA: The old script… the one where the woman just does her “homework,” as you call it? That's a B-movie. Low budget, no creative control. My role was limited to reacting to your plot. But I'm the director, producer, and star all in one, darling. I have visions! And my vision for this film—for a happy life—includes a co-star who's willing to improvise......and our art director has never been so happy, because the world is right again and the cash registers were feeling good! Weitere Informationen
Igor Bajenov's avant-garde film _Projekt Analyse Nietzsche's Forbidden Lectures C'est la vie !_New Modern ART Film in HD Ultra 4K format_Igor Bajenov's avant-garde film _Projekt Analyse Nietzsche's Forbidden Lectures C'est la vie !_New Modern ART Film in HD Ultra 4K format_Igor Bajenov's avant-garde film _Projekt Analyse Nietzsche's Forbidden Lectures C'est la vie !_New Modern ART Film in HD Ultra 4K format_The film C'est la vie! by Igor Bajenov is an avant-garde theatrical production that explores how modern desires for love and happiness are shaped by external forces. The central concept juxtaposes two powerful influences: the secret, destructive philosophy of Friedrich Nietzsche, which deconstructs traditional self-identity, and the pervasive pop-culture phantom of Madonna, who embodies prefabricated fantasies of desire. Visually, the film uses a non-realistic, collage-style set—featuring a two-tiered architecture and a black-and-white palette with pastels—to represent the subconscious mind. The narrative is non-linear, presented as a series of vignettes where characters' romantic pursuits are revealed to be scripts written by philosophy and pop culture. The climax involves the characters realizing they must destroy these internalized "phantoms" to discover genuine love and selfhood. Ultimately, the film is a critical inquiry into whether we can find authentic love when our perceptions are constructed by these powerful cultural and intellectual forces....New Hollywood Cinema First Class!...Projekt Analyse Nietzsche's Forbidden Lectures C'est la vie !.......A film expert analysis of the main monologue with two people: ...Pop diva Madonna and Nietzsche sitting next to her, just listening... (The stage is dark. A single, glaring spotlight comes on, illuminating the stern-looking Friedrich Nietzsche on a minimalist cube. A second, pink spotlight shines on Madonna.) Madonna: Friedrich. You have that "God is dead, and my tie is too tight" look. You're thinking, "That's the concern of the flock. A spice, not a meal." Nietzsche: (Softly) It's the concern of the flock. Madonna: Exactly. You philosophers order the concept of love. A five-course meal of abstraction. We women are in the kitchen cooking it up, and believe me, the recipe changes hourly. (She pushes herself off the piano.) Madonna: You call it childish. We call it a collage. Picasso was right. You take the newspaper (that's yesterday's argument), a piece of wallpaper (that's a daydream from 1992), a small train ticket (the memory of a touch), and glue them all together to create my face today. Today it's me. It's not a remix. NIETZSCHE: (After a long pause, quietly) This… fluctuation. This… tyranny of emotion. MADONNA: (She stops in front of him, dropping the theatricality.) Weakness? Friedrich, keeping this show going requires more willpower than you'll ever need for your Übermensch. You build a system. I built a stage set. And I have to rebuild it every time the emotional mood changes. You can proclaim: "What doesn't kill me makes me stronger." I have to live with what doesn't kill me, turn it into a costume change, choreograph a new number for it, and sell out the damn theater. MADONNA: The old script… the one where the woman just does her “homework,” as you call it? That's a B-movie. Low budget, no creative control. My role was limited to reacting to your plot. But I'm the director, producer, and star all in one, darling. I have visions! And my vision for this film—for a happy life—includes a co-star who's willing to improvise......and our art director has never been so happy, because the world is right again and the cash registers were feeling good! Weitere Informationen